In the best
films about boxing, the fighter who suffers and struggles is the one we see loosing after
some time. In the best films of this subgenre there is a tasty conversation
between the boxer and his manager down the hall, usually a conversation that
happens in the background. Those films give their character an
extra motivation to continue to become the champion they want or need to be.
There are hits, money, sweat, violence and lots of excitement in this one.
Taking the very light and free story by Richard Matheson,
"Steel", Leslie Bohem and John Gatins built a story for a children's
film with the coherence necessary to raise interest in a sport that many
consider obsolete.
Director Shawn Levy does his part of work and communicates the best of the story and screenplay. Looking for a kids' movie, the three pruned all dark and depressing from Matheson's story and in a strange game of the creative process, they end up communicating pretty much the same.
Director Shawn Levy does his part of work and communicates the best of the story and screenplay. Looking for a kids' movie, the three pruned all dark and depressing from Matheson's story and in a strange game of the creative process, they end up communicating pretty much the same.
In the future
world of Matheson, a dry and violent future, the thirst for blood and spectacle
of the boxing lovers was what drove the promoters to generate mechanical
beings to reproduce the human form to satisfy the urge of crowds to see two
people (androids now) fighting.
On this premise, it is made clear that the need for violence was the cause of the emergence of this impressive mechanical beings. The future of the film is much brighter and the central character of the same (Hugh Jackman) is not nearly as decadent and ambitious as that drawn in two strokes by Matheson, but his will remains (less black), together with his egoism and vanity, lost past and, especially, his addiction to the box.
On this premise, it is made clear that the need for violence was the cause of the emergence of this impressive mechanical beings. The future of the film is much brighter and the central character of the same (Hugh Jackman) is not nearly as decadent and ambitious as that drawn in two strokes by Matheson, but his will remains (less black), together with his egoism and vanity, lost past and, especially, his addiction to the box.
Surprising is the speed with which the film takes shape and homages other pictures, not only about boxing, but about fighters. And the
fight sequences have requested advice from giants of the sport, in this case
Sugar Ray Leonard, thus delivering a highly professional work.
Remember
after all that, besides being Hollywood, Reel Steel is a movie for children. Box without blood? There was no other way.
Director:
Shawn Levy
Writers:
John Gatins (screenplay), Dan Gilroy (story)
Stars: Hugh
Jackman, Evangeline Lilly and Dakota Goyo
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