"Chloe"
is hired by Dr. Catherine Stewart to seduce her husband David, who has no
interest in her anymore and even seems to be having an affair with a student. Her
strategy is to confirm that her spouse cheating on
her.
This film depicts characters threatened by loneliness, people trapped by their fears and expectations, relationships that define their underground
psychology . We are of course
very close to the film "Exotica", a film that besides sharing the
theme of prostitution, hides a complex psychological plot behind a facade of erotic thriller.
In this
atmosphere of ambiguity, the prominence of the city of Toronto and their winter
locations emphasizes the alienation and distance among the characters. As the
director explicitly stated, this Canadian city has in "Chloe" a
deserved rematch, because it would have normally be the right move to set the story in Chicago, San
Francisco or New York, thus having the prostitute presenting herself as what she
is not.
For its
part, the lack of vegetation emphasizes the modern architecture, particularly
in the Stewart's house. Thanks to the management of resources such as glasses and
their frames, shapes and lights of winter, we can say that in "Chloe" any glass surface is a mirror in which you cannot recognize
who it is reflected.
Regarding the
dramatic constitution of the tape, the location of the camera in the
transparent Stewart’s house as well as the role of buildings and other
structures in several of its frames, often mirror elements of Catherine's personality. It would be strange not to imagine that this
character could have been an architect, a designer or a judge.
Anyway, with
or without changes, a pillar of the film is undoubtedly the work of Moore, who
gives her character the perfect facets of sympathy and projection, control and
obsession and fantasy and delusion. The troubled and fierce "Chloe" lacks of history and horizon but not of depth.
Just as
there are no reasons to feel the lacking of further development of the character of David, it is
such a shame that we don’t get to know more about “Chloe”, who, by the way and despite these big
difficulties, takes life in an admirable way in the moves of Amanda Seyfried.
Director:
Atom Egoyan
Writers:
Erin Cressida Wilson (screenplay), Anne Fontaine
Stars:
Julianne Moore, Amanda Seyfried and Liam Neeson
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