"The
Painted Veil" is the story the understandings and misunderstandings of a man and
a woman condemned to live together. It's that simple. Most of the film takes
place in a village in China where a cholera epidemic has unleashed.
Walter
(Edward Norton), bacteriologist, has offered to volunteer as a doctor and
brings his wife Kitty (Naomi Watts) with him. The bungalow in which they live
is surrounded by mountains full of vegetation; the fog covers them like a veil; the atmosphere is is overwhelming, despite the illness and death.
The two
protagonists seem, at first, to have nothing in common and we learn they got married
for the wrong reasons (as it is always the case in movies), especially in the case of Kitty. Despite
the huge wall that stands between them; despite the fact that they look in different
directions (the gorgeous opening scene of the film shows us so); and despite the fact that each of them could tell the other (in the words of Bunbury) " the direction
of your dreams coincide with my nightmares "; despite all this, Kitty and
Walter will fall in love.
And the
charm of "The Painted Veil" lies in the way it tells us how they gradually
fall in love. Everything is in details: the looks, talks and silences; the
way they dare eating raw vegetables despite the risk of contracting
cholera; encounters and conversations with others; Walter listening to Kitty
playing the piano for the first time; Kitty discovering Walter’s compassion and
her own; whiskey and opium ...
The first
time we see them making love, awkwardness and shyness prevails. The second time,
the desire and drunkenness clutter the screen and the eroticism of the
scene is intense. And it is precisely the subtle and emotive performance of Norton the element that succeeds (along with the atmosphere and music ubiquitous), to strongly make us connect with the drama of these two individuals and those around them and to take the side of the protagonists to the point that we really know what
they think of each other, what they want, where they are going.
With this
film, John Curran presents a vision of love and relationships somewhat more
optimistic than we had seen in his previous film. He is a sober and very
interesting director, with a promising film career.
Director:
John Curran
Writers: Ron
Nyswaner (screenplay), W. Somerset Maugham (novel)
Stars: Naomi
Watts, Edward Norton and Liev Schreiber
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